FilmFemme

Let the Right One In is one of those movies that just kind of comes out of nowhere.  As a matter of fact, I had heard nothing of it until I started following awards season buzz and the Internet was all atwitter.  So I went in not knowing much about it except for the dreaded prophecy that “It’s supposed to be SO good.”  Oh no.

Oskar (Kåre Hedebrant) is a 12 year old boy living in what seems to be the projects of a cold and dreary Swedish town (are there Swedish towns that are not like this?).  For some reason, despite his small stature and oh-so-flattering white blonde Dutch boy hair, he is bullied by the other boys in his class and, because he has no father figure in his life, can’t bring himself to stand up to them.  One cold and dreary evening in the courtyard of his horribly depressing apartment complex, he meets the beautiful but strange Eli (Lena Leandersson) and they form a tenative friendship.

Meanwhile, their sleepy (and cold and dreary) town is falling victim to a rash of inexplicable murders in which the victims are suspended upside down and their blood drained.  Oskar is morbidly fascinated by this turn of events – until he realizes that Eli is causing them because she is, in fact, a vampire.

The unfortunate thing about this movie seems to be that there are two films here that appeal to different sensibilities.  First, the element of two innocent children who are on the fringes of society developing a bond of trust and friendship and experiencing tenative intimacy.  The second is a gruesome vampire story with attack scenes that verge on cartoonish in their use of CGI and buckets of blood.  Though the movie is very pretty, it’s hard to not be taken out of the story and forget your admiration for the velvety cool colors and the wide-eyed beauty of the littlest vampire when someone is being attacked by computer generated cats.  I think less ambition in terms of the violence could have served the film well, though overall it was very well done and genuinely creepy.